Sunday, April 09, 2017

Less Reviewing, More Reading

What the title says. AKA my new-ish policy.

Because, honestly, does anyone even read my reviews? *shrugs*

And yes, I have said that the purpose of this blog is mostly as my personal notebook, so I don’t forget all about what I read. But in that case I may just as well jot down some notes in a Word doc I keep it to myself.

With Goodreads having imporved their features a lot since I started this blog, posting my thoughts there can serve for self-reminding and cataloguing purpose just as well. And takes far less time and effort, since it requires less styling both visually and content-wise.
In particularly, time is the key word here.

I think reviewing has been one of the reasons for not reading much for the past two years. I have read a lot more this year when I stopped reviewing every single book. But I have come to a stall in the last two weeks again, and today here I am, having finished another book, contemplating how to review it – and the one that came before that… and I feel done.

In the time it takes to craft a review I could be reading (because that is the point, after all) or writing or doing any number of other things. So, that is what I will do from now on.

I don’t intend to abandon this blog, because it is a valuable archive of the past reads and reviews (not all of which are cross-posted elsewhere) and because I am sure there will come occasions when I will feel like writing a long thought-out review. But I will no longer feel guilty about not having reviewed whichever latest read and, therefore, postpone picking up the next until I do so.

I will, simply, rate it and/or put a few thoughts on GR and move on to the next bookish adventure. To many more of which I am looking forward.

Monday, March 20, 2017

Kill Someone by Luke Smitherd

Note: The book reviewed contains graphic depictions of violence and discusses other related themes only appropriate for those over the age of 18. Also, take heed that there are some SPOILERS below.

Would you kill one person to save five others from being murdered? That is the choice a 21-year-old Chris faces in an ‘experiment’ he has been ‘chosen’ to participate in.

It is an impossible choice. A choice, as Chris likes to remind a reader now and again, one can hardly judge Chris for the way he goes about making it.

The premise of Kill Someone is as intriguing as it is horrifying and thought-provoking. Alas, while the concept of the story is fascinating, its execution is more than a little elusive.

The writing is loose, replete with rambling, repetitions, and digressions in the first person POV. One short third person POV segment is thrown in for no apparent reason, except maybe for the author thinking it would be cool to change the POV or not knowing how to approach that part of the narrative through Chris’s POV.

The whole thing felt a lot like a self-insert with some alterations – and that feeling got only stronger after reading a rather lengthy afterword which was all too similar in style to the novel’s narration.

And, whereas the umpteen reminders not to judge Chris throughout the story were at least somewhat in place, the same being said in the afterword sounded as if the author forgot that Chris is, after all, not a real person, but his creation.

Speaking of the said creation, it could use some more forethought, because Chris’s character fell into the area of implausibility on quite a few points.

For example, Chris thinks of himself as a kid at the age of 21 (!) and he has never been in a fight (even I, a chronically ill child, had been in a fight or two in school). And even a decade later, despite his experience, he still behaves and thinks much the same. What a missed opportunity to show character development.

His family is living on a decrepit farm BUT Chris never mentions anyone doing any farm work AND YET his family is well-off (enough for the parents to vacation in Maldives?) Does not compute.

Additionally, Chris’s parents seem to be keen on him being on the straight-and-narrow path for him, but they are okay with him working for a call centre instead of going to college?  

Then, there was a very sexist matter of reducing five women to quintuplets, although that is not what they were, technically, but triplets and two younger sisters. And the author either wasn’t bothered to do the math or thought it was perfectly fine for them to be ‘very close in age’, so close in fact that they must have been born within 24 months.

That is right, three births (including triplets) within two years. Ah, men and their unrealistic expectations. But, hey, it is just women, right, what else are we for than popping out kids?

So, yeah, that detail made me angry right at the beginning of the book and it hardly improved much as it went on.

By 40 % of the book I had a thought that maybe someone switched the word order in the title, because what I was thinking was ‘someone kill me’.

Oh, yes, it was this book this tweet was about:

At least the resolution was somewhat sensible, when Chris figured out that he had the option to choose a merciful solution. (Although, I forgot whether killing himself was against the rules, because that was definitely an option that came to my mind. But no judging.)

The ending and the reveal of why Chris was ‘chosen’ for this experiment at least provided some food for thought.

And here comes a SPOILER.

Guilt-tripping people into helping improve the world by forcing them to committing a crime first is something I disapprove on principle, because wouldn’t it be better if no one died and a person chose to do good without having to atone for something bad?

On the other hand, though, a question arises whether one person’s death could be an acceptable price for the many other (perhaps hundreds, thousands) lives the murderer would improve in trying to atone for their crime?

My first instinct is to say ‘no’, but the answer is much more complicated than I can come up with, at least not now.

Chris, at least, found an answer which he could sleep with, which is also something.

Therefore, the thought-provoking ending somewhat redeemed the book in my eyes, but it was a shame that the rest of it was stylistically and narratively underwhelming and felt not thought-through well enough. 

Wednesday, March 15, 2017

DNF Review: Lords of the City by Alice Ward

Note: The book reviewed contains themes only appropriate for those over the age of 18. Also, take heed that there are some SPOILERS below.

There is a first time for everything, including writing a DNF review, right?

Lords of the City is a bundle of standalone romance novels featuring Chicago billionaires finding their HEA with the women (and the readers, I guess) they bring to their knees with their alpha-maleness and bad boy attitude.

Alas, the stories themselves fall extremely short of this highly misleading description, apart from the first novella. 

This is what I noted down when I finished Lured:
It is a shame this wasn’t a full novel, because Niall and Emma and their relationship totally intrigued me. Unfortunately, as it is only a novella, the story, characterization, and relationship development (or not-development) are rushed and one has to imagine and/or speculate about the depths of their characters and relationship, although there are so many things that should/could be explored more in depth in regard to both characters, but especially Niall, which are only hinted at.                                                                                  
Nevertheless, it is an interesting introduction to the series and I expect the epilogue novella will function as a second part and hopefully deliver a satisfactory (and happy) conclusion to this tragedy. And it is a tragedy, because while Niall behaves like a jerk and he is an idiot, there are certainly reasons for him being as he is and I really need to see him getting to the bottom of his idiocy and his painful (I assume) past and become a better man.                                                                
And while I can give Niall a bit of a benefit of the doubt, I also understand Emma’s hurt and her own conclusions about Niall’s supposed (at least currently) irredeemability.                                                                                                                                  
Overall, it was a bit of a hit-and-miss, because it felt like I could like the story and the characters but I missed that added depth that would make me actually like them. The price of the shortness, I guess.
And that was all that was good about the series.

I read a few chapters of Torn, but I should've guessed that the protagonist describing herself as quirky couldn't mean anything good. I couldn't get into the book, because I didn't feel any connection to the characters.

I found Noah particularly annoying with his wish to remake the female protagonist (I can't even remember her name) into what he wants 'his' woman to be. Fine, if you want to have a dress code for your company and compensate your employees for having to readjust their wardrobe to fit the code. But forcing a woman to limit her style exclusively to 'curve-hugging' dresses with disregard of her own comfort and style is sexist and disrespectful, not romantic and certainly not 'professional' and the book lost me there (especially with the 'quirky' lady happily going along with it.)

I tried the beginning of the second book, but I, again, wasn't drawn neither to the story nor to the characters. So, I decided to quit and not even bother with the third book.

The epilogue novella was a also a disappointment, because instead of continuing Niall and Emma's story, Emma simply disappears and instead of her another woman appears in Niall's life out of the blue and I guess he gets his HEA with Candace (but of course it must be Candace), probably without having to overcome his inner turmoil or, god forbid, change.

Also, despite the description that says that these lords of the city would bring us to our knees during a 'raw, emotional journey', these 'bad, bad boys' were and their supposedly 'sexy and delicious' stories were pretty tame, and far from 'thrilling' – quite the contrary, to me the series was actually too boring to finish.

There are two parts of another Ward's series included in the bundle but I didn't even bother with those.

I can see why this was on sale: give people a deal price for the bundle and 'lure' them in with the first, otherwise unavailable, novella, just in case at least some people might find any appeal in the rest of the materials included.

Overall, the best part of this was the prologue novella, Lured, even with its tragic ending, which I guess was also worth the price of a bit over an euro, while the rest was a free 'bonus'. 

3 stars for Lured, 0 stars for the rest. 


Tuesday, February 28, 2017

Dark Skye (Immortals after Dark #15) by Kresley Cole

Note: The book reviewed contains themes only appropriate for those over the age of 18. Also, take heed that there are some SPOILERS below.

Before they were mortal enemies, they were childhood best friends. Despite belonging to enemy factions. Three (well, four, eventually) dead parents later, their friendship – let alone anything more – is over, seemingly irreparable, replaced by pain, fear, and resentment. Or is it?

I have to appreciate time and again in IAD series, how Kresley Cole’s concept of ‘fated’ mates means anything but a guaranteed happy ending (within the story; on a meta level, of course we all know it will happen) for the pairing of the moment, for there are so many things that could go wrong and keep them apart, destiny or no. I love that it takes much more than ‘fate’ for love to win.

That is also the case for Melanthe and Thronos: it only takes them five centuries of running and pursuit, before they even start resolving the hurt and misunderstandings from their past and working towards a future (trying to survive while having only each other to rely on helps a lot, though, even when they ‘hate’ each other.)

Granted, the said resolving starts off a bit slow and that made me feel a little underwhelmed and frustrated (If only they talked to each other!), but once they get past a critical point, the story picks up and, damn, it is worth every moment of the earlier frustration.

Hence, I ended up absolutely loving Melanthe and Thronos’s story: one of the most painful, tragic, but also heartfelt and beautiful ones in this series; they ended up being one of my favourite IAD couples, just as I had expected and hoped for.

Furthermore, in Dark Skye, Cole pulls together quite a few threads from other stories and the larger Ascension plotline, bringing us up to speed with some of my favourite couples from the previous books. Which made me want to reread some; I think I might have to check back to at least Cadeon and Holly’s and Rydstrom and Sabine’s stories, and maybe Lothaire. (But when will I have the time to both reread and continue the series, that is the question.)

I loved seeing Nix’s perspective and the revelation why she is playing the matchmaker for so many pairings: because, ultimately, all the mixed-factions couples will come in handy for joining Vertas and Pravus in the fight against a common enemy, the Bringers of Doom. Because this will be an Ascension on a whole new level, apparently, and I am so looking forward to it. (And Nix coming out of it as the goddess of Ascensions prediction is perfect for her.)

I could flail about so many more details, but I don’t want to spoil everything for those who haven’t read the book, yet.

In conclusion, therefore, let me just say that Dark Skye is a fascinating, intense, and clever story. It was one of the instalments I had been looking forward the most, and, even if it didn’t look like it in the beginning, it truly lived up to it.

Now, I must hurry and read Sweet Ruin, so I can next to get to Shadow’s Seduction (which was released today) ASAP.

Monday, February 20, 2017

Beyond series by Kit Rocha

Note: The book series reviewed contains themes only appropriate for those over the age of 18.

Those of you who follow me on Goodreads may have noticed that I burned through the 13 books (well 3 of those are short stories and 3 novellas, but still) of this series in January, which is more reading (not counting fanfiction) that I had done in 2016 altogether.

Apart from the mini-reviews posted directly on GR as I finished each book, I didn’t review them, because, truthfully, I would have just repeated myself a lot. Also, I preferred to spend the time I would have put into struggling with how to write reviews into actual reading.

However, I loved this series so much that I still feel the need to flail about it. Beyond series is set in a post-apocalyptic, dystopian world, and the first book starts off as erotica with plot (about 50/50), but sets up the world-building just enough to tempt you to continue the series.

And then you are trapped.

Because with each book, the world gets more and more expanded and complex and keeps you hooked. The development of the over-arching conflict between the opposing sides is extremely compelling and the series tackles a number of real-life issues with an incredibly sensitive and insightful approach that surpasses that seen in many of so-called ‘high’ mainstream literature.  

And, of course, the authors are sneaky and keep introducing characters you fall in love with a few instalments before their actual stories. Hence, binge reading. Because you have to read on to see what happens to them. But you can always count on a happy ending in this series, which is just another major plus.

Have I mentioned I fell in love with all (well, except the evil ones, but those I loved to hate) these stupid asshole characters? Men and women. Yeah.

Anyway, there are many other things I could flail about, but since I don’t want to spoil anything for you (which was another reason for not reviewing each book on its own), let me just finish by saying that if you are a fan of dystopian lit combined with erotica, I highly recommend you check this series out.

Wednesday, February 08, 2017

MacRieve (Immortals after Dark #14) by Kresley Cole

Note: The book reviewed contains themes only appropriate for those over the age of 18.

Uilleam MacRieve appeared on the fringes of previous stories quite a lot and I felt like it was high time to pick up his story.

I had a rather long break from reading this series, but you can always count on Kresley Cole to sum things up enough to make you remember the important parts from the past instalments without making the story tedious.

So, we meet Uilleam – okay, I will go with Will, because that spelling is finger-breaking – a few weeks after the escape from the prison in book #11 as a broken man, plagued both by the ordeal he went through on the island as by the past wounds the experience re-opened, dinking himself to a stupor every day and planning a trip to the immortals’ suicide cove.

Enter Chloe Todd, a professional football (sorry, an European here, seeing the word ‘soccer’ hurts my brain) player about to see her life dreams come true by competing at the Olympics, who is suddenly faced not only about the existence of the supernatural and becoming one of them, but also with the fact that her father is not who she thought he was, but none other than Preston Webb, the sinister leader of the Order that hunts supernatural beings.

While everyone in the Lore is hell-bent on seeking out their revenge against Webb through his daughter, Will hides his fated mate to keep her safe, unaware that she is about to come into her immortality as one of the species he detests from the bottom of his heart for all he has suffered because of one of them as just a boy.

And that is when the real problems start. Fortunately, between these two idiots who could have avoided much trouble had they only communicated – although I have to give props to Kresley Cole: Will’s inability to communicate about his past trauma is very realistic – Chloe is rational enough to put some things together on her own and thus finds in herself enough patience for Will to catch up and do his part of psychological and emotional heavy lifting as well, eventually.

My heart broke for Will in regard to certain aspects of his backstory, but I loved that she picked a male protagonist to deal with that, because it is all too often that males are dismissed as potential victims and I loved how Kresley Cole dealt with that particular topic.

And finally, Kresley Cole managed to surprise me with the Ubus people, of whom we have been told again and again in the series that they are evil, but of course there is more to that than that and I absolutely loved the twist regarding that species and I would love to see more of them now, with everything we learned in MacRieve.


Thursday, January 19, 2017

The Silent Kookaburra by Liza Perrat

SUMMARY (from Goodreads): All eleven-year-old Tanya Randall wants is a happy family. But Mum does nothing besides housework, Dad’s always down the pub and Nanna Purvis moans at everyone except her dog. Then Shelley arrives – the miracle baby who fuses the Randall family in love for their little gumnut blossom.

Tanya’s life gets even better when she meets an uncle she didn’t know she had. He tells her she’s beautiful and could be a model. Her family refuses to talk about him. But that’s okay, it’s their little secret.

Then one blistering summer day tragedy strikes, and the surrounding mystery and suspicion tear apart this fragile family web.

MY THOUGHTS:

The beginning felt a little slow, but that later on proved necessary as it provided the fine cues for the rest of the story.

I was initially wary of the first person POV. However, Liza Perrat manages to pull off the 11-year-old’s language and rationale with great authenticity and without impoverishing the story. Quite the contrary, the style imbued with local linguistic flavour only enriches it.

While Tanya’s uncle was the sort of a bad person that made me root for the mobsters to take him out, I couldn’t help myself thinking that had he received some help and support, he might not have become what he had. The victim-turned-perpetrator stereotype doesn’t sit well with me: some victims do turn out just like their abusers, but it is not inevitable if the people close to the victims and the society at large offer them proper help.

I loved how in The Silent Kookaburra Perrat seamlessly and with great insight incorporates a number of issues which are still current (or which are, really, current in every age.) These range from poverty, domestic violence, depression, loss of a child, alcoholism, superstition and prejudice against immigrants and people of other religions, and probably some more that I forgot about.

Tanya herself has a lot on her plate, dealing with alienated parents (from each other and the children), bullying, low self-esteem, having to grow-up early, and being the target of the mysterious uncle who says all the right things to make her feel good but has nefarious intentions towards her.

In several ways, I could relate to Tanya, and Liza Perrat captured her struggles in a very genuine manner that truly resonated with me.

At the end of the story, one of the main mysteries of the book remained unresolved. But that is just life; we don’t always get all the answers.

And finally, I loved that Tanya got her happy ending, albeit it was a bit clich├ęd, and that certain prejudices were overcome for the good of everyone involved.

RECOMMENDATION: The Silent Kookaburra is an incredibly rich story set at the beginning of the era I would consider ‘modern’ that provides a wealth of food-for-thought for everyone not afraid to dig into some, perhaps uncomfortable, but still very current and important issues, and is, therefore, a very compelling read.


The author has sent me a free copy of The Silent Kookaburra in exchange for an honest and unbiased review. 

Monday, January 16, 2017

The Summer Palace (Captive Prince short stories #2) by C. S. Pacat

The Summer Palace is a short story that serves as an epilogue to Kings Rising, with Damen and Laurent meeting at the summer palace for a well-deserved respite from trying to consolidate their positions and secure the future of their people.

The story of their reunion is a triple wonder as it offers glimpses into the aftermath of the final events of Kings Rising while allowing Damen and Laurent to finally enjoy their time together and at the same time process – with each other’s help – some of the hardest parts of their past.

(Except for one; but I think it was the right choice of the author not to cramp everything into such a short story and leave that out, either for some future story or for the readers’ own imagination, not to mention that dealing with everything in the span of one evening would have been too much for the characters, as well.)

As such, The Summer Palace is utterly touching; it made me both laugh and shed a tear. I didn’t think that I could love these two fictional characters more than I already had, but after this story, I do. I so do.

And against such beauty, I cannot possibly hold a few missed typos against the author, so all five stars it is, because all in all, The Summer Palace was brilliant, better than I could have ever imagined.